Artist: Ximo Tebar
Title Of Album: Celebrating Erik Satie
Year Of Release: 2009
Label: Omix Records
Genre: Modern Jazz, Fusion
Quality: Flac(Image+Cue+Log+Scans)/mp3
Bitrate: 320kbps
Total Time: 60:39 min
Total Size: 158Mb
WebSite: Jazz Pain
Tracklist:
01. Gnossienne 3
02. Idylle
03. Gymnopedie 1
04. Embryons Desseaches
05. Croquis et Agaceries D'un Gros Bonhomme en Bois
06. En Habit de Chaeval
07. Airs a Faire Fuir 2
08. Veritables Preludes Flasques (Pour Un Chien) 2
09. Gnossienne 1
10. A Solas con Satie.
Personnel:
Sean Jones: trumpet;
Robin Eubanks: trombone;
Stacy Dillard: soprano saxophone;
Ximo Tebar: guitar;
Jim Ridl: Rhodes, synthesizer;
Orrin Evans: Rhodes;
Boris Kozlov: bass;
Donald Edwards: drums;
Ramon Cardo: soprano saxophone (1);
David Pastor: trumpet (1);
Carlos Martin: trombone (1)
EAC LOG
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 4. June 2010, 22:22
Ximo Tebar / Celebrating Erik Satie
Used drive : Optiarc DVD RW AD-7203S Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 11:59.32 | 0 | 53956
2 | 11:59.32 | 5:25.54 | 53957 | 78385
3 | 17:25.11 | 5:47.70 | 78386 | 104480
4 | 23:13.06 | 5:38.17 | 104481 | 129847
5 | 28:51.23 | 4:53.57 | 129848 | 151879
6 | 33:45.05 | 5:20.20 | 151880 | 175899
7 | 39:05.25 | 6:02.67 | 175900 | 203116
8 | 45:08.17 | 4:40.13 | 203117 | 224129
9 | 49:48.30 | 8:29.40 | 224130 | 262344
10 | 58:17.70 | 2:21.00 | 262345 | 272919
Range status and errors
Selected range
Filename D:\Ximo Tebar - Celebrating Erik Satie\cdimage.wav
Peak level 99.9 %
Range quality 100.0 %
Test CRC 6BC79BA9
Copy CRC 6BC79BA9
Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database
Track 10 not present in database
None of the tracks are present in the AccurateRip database
End of status report
Album Notes
Celebrating Erik Satie represents a creative and stimulating selection of jazz arrangements and improvisations. Ximo Tebar is a respected guitarist and creative force from Spain who has taken the compositions of the eccentric, irascible, and innovative French composer and transmuted them into jazz ensemble performances. Tebar shakes things up while retaining enough straight-ahead jazz to appeal to the masses; it's no accident that "En Habit de Cheval" possesses a clear reference to John Coltrane's magnum opus, A Love Supreme (Impulse!, 1964). Like Coltrane, Tebar is fortunate enough to have recruited other outstanding musicians who can implement his complex ideas.
The watchword of this album is "plays," with the implications of irony and humor, tinged with Chaplin-esque sadness that characterizes what Tebar and his ensemble, taking a cue from Satie, offer. Satie was an inventive, experimenting composer who influenced musical impressionism and minimalism, which in turn strongly impacted modern jazz. For a period of time, he played in cabarets in the Parisian district of Monmartre and wrote popular songs.
Tebar, however, is careful not to imitate Satie. Rather, he takes rhythms, extracts, ideas, and motifs from Satie's compositions, gives them ironic twists, and transforms them into his own and the group's thoughts and sounds. On "Gnossiene 3," for example, Tebar begins with an outer space, sci-fi movie intro, and then drifts off with his group into a relaxed, easy-going, straight-ahead set of improvisations. Then he adds a unique plunger mute "talking" effect on the guitar, which he makes use of periodically throughout the album.
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